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In pictures: Jim Jarmusch on the surrealist images that inspired his films - House of Charm
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In pictures: Jim Jarmusch on the surrealist images that inspired his films

Kenshichi Heshiki, Untitled (1975)

In the closing scene of Jim Jarmusch’s Coffee and Cigarettes (2003), two icons of the American avant-garde, Bill Rice and Taylor Mead, make a toast to “Paris in the 1920s… and New York in the 70s”. Both are historic periods marked by artistic revolution: the flourishing of NYC’s radicalhellip;

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John Kayser, sans titre (1973) nbsp;Daido Moriyama, provoke (mayfly) (1972)nbsp;Xiu Liang, Storage Animal (2016)nbsp;Gordon Parks, untitled (1951)nbsp;Miguel Rio Branco, Snookers for Brassai (1972)nbsp;Zanele Muholi, Owakhe X, Sheraton, Brooklyn, New York (2019)nbsp;
View Gallery (35 images)nbsp;