In pictures: Jim Jarmusch on the surrealist images that inspired his films
In the closing scene of Jim Jarmusch’s Coffee and Cigarettes (2003), two icons of the American avant-garde, Bill Rice and Taylor Mead, make a toast to “Paris in the 1920s… and New York in the 70s”. Both are historic periods marked by artistic revolution: the flourishing of NYC’s radicalhellip;
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